We’re all for the fringes, gold that slips under the radar, for the tactile, the limited run, the unlikely and the unusual – this July we had Luke Thompson from Guillemot press round for Creative Breakfast. And, spurred on by tales of rediscovered manuscripts from erring nuns and printing presses that burst into flames, we got onto talking about just what it takes to be a ‘small press’.
It’s not just a print run size, and it’s certainly not the wikipedia definition. The term encompasses an approach, an ideology and a creative commitment – and it’s not easy to define. So, in lieu of a conclusion, here’re some small presses we like. Have a look at what they get up to, and make your own mind up:
Luke’s output is mainly poetry, but Guillemot publish short stories and non-fiction too. The books are carefully considered and unlike anything else that’s out there. Look out for the press’s collaborations with artists and big name poets.
The novella’s on a comeback, the lit crowd will have you know, and Oxford-based Fairlight’s gorgeous Moderns series offers a good place to get stuck in with the form.
Practically our neighbours, Atlantic Press Books grew out of the MA Illustration course at Falmouth University. They publish unusual and beautifully produced graphic literature, showcasing illustrators’ authorial work.
With a bold political voice, and an emphasis on the margins of culture and overlooked narratives, Influx Press is an example of what can be achieved away from the mainstream, and why it’s important to try.
And if you’re into small press publishing, we’ve some plans in the pipeline – so make sure you’re signed up to our newsletter and stay in the loop.
In the September twilight at Bream Cove we were joined by marine biologist and filmmaker Inka Cresswell, author Wyl Menmuir, freediver Emma Harper, and writer and broadcaster Octavia Bright. Read and listen to a snapshot of the compelling coastline conversations from the evening...