Read the feature this story was inspired by, and discover more in the latest issue of Strike in print, available to buy from our shop now.
Listen to Angeline Morrison performing ‘Unknown African Boy’ (scroll to the bottom of the story for the audio) at Firelight in September 2021
Should we be investing billions on new technologies to suck carbon out of the air, when trees do a perfectly good job (if only we'd stop cutting them down)? But what other technological 'magic bullets' are out there? From removing truck tailgate emissions to conjuring food from thin air, are any of them any good?
Jazz is enjoying a popular resurgence, as people flock to dance floors to savour its genre-defying rhythms. This recent rise in popular culture is well timed: because in its tireless reworking of the past into the present, and helping to shape the future, the music may offer useful lessons to us all…
Language goes to core of what it is to be human, and has preoccupied philosophers, academics and many of the rest of us too, well, probably forever. So what are some of the key critical perspectives on the development and social effect of language and why does it matter?
Should we be afraid of AI's ability to create? Are illustrators' and writers' days numbered? Sparked by our conversation with a technology thought leader and a magician in issue 9 of Strike, we got thinking, got scared and decided to dig deeper...
The Annette is a 114-year-old former Danish fishing boat that now sails in search of marine pollution to take it on a new circular journey and keep it out of the natural environment. Joined by his two daughters, Paul Dicken boarded 'Annie', with the core Clean Ocean Sailing crew: Steve, Monika, Simon and Rosie.
How is the 15-minute city – the idea that basic amenities should be that long a walk for any city resident – becoming a reality in urban areas the world over?
Ellen Paige Leach’s other-worldly artwork uses “forced malfunction” to break images apart until they become something new. One of Saatchi Art's 'Rising Stars' in 2018, she balances her own artistic practice with brand collaborations, including Rapha. We spoke to her about how her inspiration takes the shape of coastlines both past present, and what the future holds.